KAMAKURA
Introduction
FE103 is a really good speaker when we don't care about
defect of
low frequency, especially when we listen to female chorus or
acapella flute.
Because they have no low-frequency spectrum.
But is it possible to design hi-fi vented system for this
unit which has
extreme low Qo?
Frequency response at plane baffle ( data by T.Nagaoka)
The response at 64Hz is low by -23dB from the response at
middle
range. So if fd is 64 Hz the port resonance system will hardly
contribute
to acoustic radiation.
Frequency response (1m)
This is the frequency response level of BS-3 by T.Nagaoka.
This may be
an unsuccessful work because the level from 100 to 300 Hz is very
important
to popular music.
Look at these systems.
FE103 periscope
fd=90Hz with current positive feedback and low boost.
This time I'm going to make a small
sized vented system(Helmholz resonator)
and try a fine tuning.
In bare FE103 fo is 80Hz but in a box foc increses to
120-150Hz.
The cone is light but it is suspended by an ultra high compliance
edge.
This is the reason why FE103 describes fine tone and has long
decay.
Playing pioneer 8cm and FE103 simultaneusly suggests some
knowledge
that FE103 speaks "shaka-shaka" and plays electric
bass well, and
bass drum is heard from pioneer 8cm. It is heard
"pata-pata" from FE103.
FE103 clips early because of its high compliance and make
sound of paper.
FE103 can discriminate the quality of amplifier well, so if the
quality of
amplifier is not so good, its fact reveals.
Thus FE103 is truly not for general use, but for mania who
owns high
quality amplifier and sources.
Though this is a virgin unit, fo=86Hz.
duct length=6cm
foc1=180Hz、fd=110Hz This is ordinary data.
Resonance by Pon-tataki method
fo1=183Hz, fd=90Hz
In this case fd is lower than that of pioneer's 8cm but
this may be a
critical point.
Here I'm looking back the
enclosures of FE103.
inner sizes | volume | lost part of volume |
diameter of duct |
r | length od duct |
L1xL2 | L3+r | fd | |
Fostex standard | 134x270x171 | 6.150 | 0.3 | 5 | 4.5 | 19.625 | 7 | 110 | |
BS3 | 6.4 | 0 | 3 | 23 | 30 | 26 | 68 | ||
capsule | 6.4 | 0 | 3 | 7.5 | 28 | 10.5 | 103 | ||
old vintage | (162x122-2100)x300 | 5.2 | 0.3 | 4 | 2 | 5 | 12.5 | 7 | 96 |
mini tower | 126x886x164 | 18 | 0.3 | 4.3 | 2.15 | 14 | 14.5 | 16.65 | 35 |
FE103periscope | 1.38 | 0.3 | 1.78 | 23 | 10 | 24.78 | 97 | ||
this work | 110x120x170 | 2.24 | 0.18+0.5 | 3 | 1.5 | 6 | 7 | 7.5 | 109 |
BC10bass-reflex | 149x349x215 | 11.2 | 0.2+0.5 | 3 | 1.5 | 2.5 | 14 | 4 | 92 |
FE103 periscope seems to have long duct and small cabinet
for its balance.
I think this enclosure is orthodoxy.
Test discs for FE103 are
Steve Reich "Electric counterpoint"
Handbell clover friends "tone"
Yumi Arai "Cobalt hour"
These discs reveal transient characteristics of the system.
Especially Kanzen
amp plays roll as an oral exiter, it's good for ultrasonic voice
of Yumin.
Ultimate drive by Kanzen amp III
Enclosures were finished with Japanese vanish Kamakura Red.
After they
were dried for long time, I listened to them in my reference
system.
Amplifier was Knzen amp III which out put impedance is reduced
from
8.28ohm(Kanzen amp) to 5.7ohm by means of current positive
feedback.
In an article Mr.Matsumoto saids current PFB MFB has a
problem of
current distortion, so adquate level of current PFB is desirable.
Kanzen
amp III has an adquate current PFB.
Hearing test
I listened to Cindy Lauper, Steely Dan, Manhattan Tranfer on
it. I felt
massiveness and high-speed bass. Quality of mid-high range is by
far
superior to maker's products. This may be a masterpiece.
(November 22, 2000)